At the same time though, the courtier is expected to have a warrior spirit, to be athletic, and have good knowledge of the humanities, Classics and fine arts. If we look over her shoulder to the left side, we see a road that leads to distance, and mountains painted in a way which seems similar — at least on some level — to Chinese landscape painting of the preceding centuries.
On the surface Castiglione seems to present a virtue ethic, but only in an exhortatory sense that is, he recommends that a prince should have an education in virtuenot in a philosophically developed way. By applying sprezzatura to his speech and everything else he does, the courtier appears to have grazia and impresses his audience, thereby achieving excellence and perfection.
The idealized version of the court presented by Castiglione is generally resisted by critics from the s onwards. With the role of language set, Castiglione begins to describe the style and authority in which the courtier must write in order to become successful. And he shall not do, as a friend of ours whom you all know did: Finally, one of the company says that if women are to be endowed with letters, continence, magnanimity and temperance, he is surprised that the other does not suggest they should rule cities as well.
And An analysis of the renaissance courtier are many who think they resemble great men, and actually may somewhat, but who often take the aspect in the great man that worst becomes him. Another feature of rhetoric which Castiglione discusses is the role of written language and style.
Mona Lisa looks directly out at us, the viewers, which was something unconventional for a woman in a portrait to do at this time.
Behind her we have a vast landscape which goes off into unknowable distances, and seems to continue on into a type of misty haze. A golden mean is the ideal. The success of a written speech, in contrast to the spoken speech, hinges on the notion that "we are willing to tolerate a great deal of improper and even careless usage"  in oral rhetoric than written rhetoric.
The mouth, with its opening, and with its ends united by the red of the lips to the flesh-tints of the face, seemed, in truth, to be not colours but flesh.
The Count explains that along with proper word usage, an ideal courtier must have a proper sense of style and flow to their words. The portrait shows what appears to be a typical portrait of a woman in which her wealth is not primary thing on display. The implication of this kind of view is that we are seeing the entire person, rather than just a sliver of her.
Women, on the other hand, should be soft and delicate, with an air of femininity not at all masculine. The same thing happens in many areas of life; yes, in everything in the world that a man can do or speak.
It was widely acclaimed and served as a model for civilized and polished behavior, both during the Renaissance and afterward.
And, indeed, it may be said that it was painted in such a manner as to make every valiant craftsman, be he who he may, tremble and lose heart. Just as a good soldier can speak his mind to an armorer of what fashion, of what temper, and what goodness he wants have in his harness, he cannot teach the armorer how to make it, nor to hammer or temper it.
Castiglione wrote The Book of the Courtier between and Be sure to integrate the text into your answer to support your understanding. This identification was provided by Vasari in the sixteenth century, but this was later disputed. Can you not see that what you call in M. Unlock This Study Guide Now Start your hour free trial to unlock this page The Book of the Courtier study guide and get instant access to the following: Anglo discusses the Courtier in terms of its medieval precedents and its impact on later thought concerning civilized behavior.Analysis Task for Castiglione’s The Book of the Courtier Castiglione’s The Book of the Courtier was a kind of Renaissance manual on how to be cool.
In the book, a group of speakers debate what qualities are needed by the ideal courtier (think of a courtier as a kind of man-about-town). Writers of the The Renaissance Notes by Dr.
Honora M. Finkelstein 4 - Baldassare Castiglione - Book of the Courtier Read the whole text. This work might be seen as the most important etiquette book, a genre that originated at this time. The Book of the Courtier by Baldassare Castiglione and not just to the Renaissance courtier who undertakes to counsel his prince.
Love. Finally, let us look briefly at Pietro Bembo’s discourse on love, which is the last major episode in The Book of the Courtier. An Analysis of Castiglione's 'The Courtier' Words Feb 7th, 4 Pages A parallel is to be traced between these precepts that were drawn five centuries ago, and the current situation.
Baldassare Castiglione’s The Book of the Courtier was one of the most widely read books in sixteenth century Europe. Noblemen and poets looked upon it as a portrait of the ideal man of the Renaissance, and such men as Sir Philip Sidney are said to have modeled.
An Analysis of Castiglione's 'The Courtier' Words | 4 Pages. Castiglione's The Courtier presents a set of female and male indications for being ideal or well-rounded persons, spread across four books of what was to become a Renaissance-specific manual for achieving the human etiquette ideal.Download