For example, they were shunted around from studio to studio, doctoring pictures, writing songs for films that were either cut or rewritten by other hands.
Although the motion picture studios jumped at the chance to add musicals to their rosters after the introduction of sound with THE JAZZ SINGER init was several years before they mastered the technology of filming a successful musical.
Even small changes in the book musicals of the s and s can change their tone: Control was always important for Rodgers, so he convinced Hart to escape back to Broadway in Fred Astaire and Ginger Rogers Every major songwriter from Broadway was under some kind of film contract by the early s.
It is, of course, a trick question. Soon, the other studios were churning out their own musical styles Paramount, elegant and sophisticated; MGM, glossy and overblown; RKO, Astaire and Rogersand the Hollywood musical was glorying in its heyday, with a barrage of original musicals that would enrapture depression-era America.
This website is no longer actively maintained Some material and features may be unavailable Essay by Laurence Maslon Breadline in New York during the Great Depression By the early s, the theater capital and the film capital of America were separated by an entire continent.
The Production Code, better known as the Hays Code, was introduced in When Hollywood did buy the rights to a Broadway property, it rarely, if ever, made its way to celluloid intact. Their responses to the temptations of the West Coast were no more uniform than their personal styles of songwriting.
Sadly, their one great ambition was to write a hit Broadway musical back east in the s and s; it never happened.
Inhe conceived the dances to the quintessential backstage film musical, 42ND STREET, and his visual skill at manipulating both chorus girls and the camera finally made a string of backstage yarns for Warner Bros.
In the early days of the Great Depression, artists had to make a choice: Ironically, the only other Broadway songwriter who had a similar experience in Hollywood was Oscar Hammerstein II, who went about his dreary studio assignments without much enthusiasm.
Which would you choose? But Hollywood never had the one thing Broadway reveled in: Irving Berlin was initially distrustful of film technology and studio interference, but he was lured back to write TOP HAT for Astaire and Rogers and began a healthy relationship with various studios.
None of this kept the Hollywood studios from exploiting the novelty of sound musicals, and they acquired and filmed an enormous amount of material from to The most benign lyrics were tweaked with idiotic regularity by inane sensibilities.
In addition to the interference of studio chiefs and tone-deaf line producers, Hollywood has its own form of self-censorship. Even if film producers wanted sophisticated Broadway material reproduced intact on its sound stages, the Hays Code made that impossible.
In general, even the most faithful versions were shorn of several songs for length, but wholesale revisionism was typical of Hollywood, especially with shows from the s. The actual sound reproduction was tinny and false, and camera movement was severely limited.
It was up to a former marine drill instructor and Broadway dance director named Busby Berkeley to turn all this around. Rodgers and Hart suffered in Hollywood.Broadway musicals are full of great advice for prospective theater majors.
Here are a few more tips from Broadway to help your college essay stand.
This is an essay on Broadway in Hollywood and film musicals. Even small changes in the book musicals of the s and s can change their tone: the version of ON THE TOWN throws away. He composed music for movies, Broadway musicals, opera and the concert hall.
He combined classical music and jazz to his style and well known for his composition, “Rhapsody in Blue.” George Gershwin was born on the 26th of September, in Brooklyn, New York. An Introduction to Musical Theatre.
The concept of musical theatre combines the drama and plot of a stage play with a musical component; the extent of this musical collaboration has changed over the years, from operas to orchestras to full-fledged plays.
From its humble beginnings to its current status as Broadway spectacle, the art form has. Essay on History of Broadway Words Nov 4th, 9 Pages There have been many debates on whether or not Broadway musicals are considered “serious” art forms.
For my AP music class, I have to write an essay. The topic is "On Broadway." That's all our teacher gave us, nothing else.
I know absolutely nothing about Broadway or theater in .Download